Have you ever wondered what Susan Wollenberg’s net worth is? Yes, you are not alone! Many people are curious about the financial situation of influential figures like Susan.
Today, we’re going to dive into the nitty-gritty details of her net worth, looking at how she built her wealth and what her major financial milestones may mean for us. What do we know?
TRUTH | DETAIL |
---|---|
Real name | Susan Wollenberg |
Popular name | Susan Wollenberg |
Sex | Female |
Date of birth | April 28, 1949 |
Year old | 75 |
Parents | NA |
Siblings | NA |
Place of birth | Lancashire, UK |
Nationality | brother |
Nation | do not apply |
Education | Oxford University |
Marital status | do not apply |
Sexual orientation | do not apply |
Wife/Wife/husband | do not apply |
Children | do not apply |
Dating | do not apply |
Net value | do not apply |
Origin of wealth | Music, Composition, Academic career |
Year of operation | do not apply |
Category | do not apply |
Height | do not apply |
As a famous Oxford musician, Susan Wollenberg’s financial details, especially her net worth, are not publicly disclosed. This reflects the general privacy preferences of academics and musicians, who focus more on their craft and scholarship than on public financial disclosure.
However, her career as a musicologist and composer, combined with her long association with Oxford University, shows a successful professional journey marked by intellectual contributions wisdom rather than financial public acclaim.
Susan Wollenberg, a respected figure in the field of musicology, has spent decades exploring the nuances of 18th-century music and the development of keyboard compositions.
Although specific information about her early life and educational background is scarce, her profound contributions to the field of academic music studies suggest a strong and well-rounded formal education. music and humanities.
Embarking on her career at the prestigious Oxford University, Susan Wollenberg quickly established herself as a formidable scholar and educator. Her expertise lies primarily in the social history of British music and the important but often overlooked contributions of women composers.
Wollenberg’s research sheds light on the complex dynamics of musical works during a transformative period in music history.
Wollenberg’s work has significantly enriched the understanding of performance practice and the study of historical music. Her focus on keyboard music from 1500 to 1830 yielded invaluable insights into the technical and stylistic developments of the era.
Furthermore, her studies of the social history of music provide a broader cultural perspective, linking the development of music to social changes.
Not only a scholar, Susan Wollenberg is also a talented composer. Her compositions, such as the song collections ‘The Survivor’ and ‘Alles auf der Welt ist Wandel’, have been performed in famous venues, demonstrating her talent in integrating themes complex history and emotions into the music.
The premiere of ‘The Survivor’ at St John’s, Smith Square and subsequent performances of her other compositions emphasized her dual capacities as both researcher and creator .
Through her academics and music, Susan Wollenberg has significantly impacted both fields. Her ability to combine educational goals with creative expression allows her to reach a wide audience, from music scholars to classical enthusiasts.
Her study of women composers also highlights the contributions of women in a field historically dominated by men, encouraging a reassessment of music history through a more inclusive lens.
She is Professor of Music at Oxford University, focusing on 18th and early 19th century music, especially keyboard music from 1500 to 1830.
Her research interests include the social history of British music, performance practice and the study of women composers.
She is a Fellow and Tutor at Lady Margaret Hall and also teaches at Brasenose College, both part of the University of Oxford.
Well, some of her notable publications include Schubert’s Fingerprints: Studies in Instrumental Works, Music at Oxford in the 18th and 19th Centuries, and Women and the Lie of the 19th Century, among others. other publications.
She is particularly interested in the contributions of women to the history of music, which she explores through various scholarly works.
Among her compositions are the songs The Survivor and Alles auf der Welt ist Wandel, both performed by soprano Kathryn Whitney.
She served as Honorary Vice-President of the Royal Society of Music and was involved with a number of journals and academic organizations related to musicology.
She has participated in many conferences, lectures and public talks focusing on musicology and music history at Oxford.
Recent works include edited volumes on women composers and their influence in music from 1800 to 1950.
Her work has contributed significantly to a deeper understanding of the social and cultural landscape of music in Britain, as well as highlighting the contributions of female musicians.
And there you have it – a closer look at Susan Wollenberg’s financial background! Whether you’re just curious or looking for inspiration from financial success stories, Susan’s journey offers valuable insights. For more engaging and informative content, keep visiting RachelParris.com. Let’s continue to explore the stories behind the numbers.
Categories: Musician
Source: dut.edu.vn
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