Do you ever wonder about the financial achievements of your favorite rising stars? Michael Burden, a name making waves in the industry, has a fascinating financial story.
Today, we dive into Michael Burden’s net worth, discovering how this talented musician makes money from his musical skills. Join us as we explore the figures that define his success in the ever-evolving music landscape.
TRUTH | DETAIL |
---|---|
Real name | Michael is burdened |
Popular name | Michael is burdened |
Sex | male |
Date of birth | March 14, 1960 |
Year old | sixty four |
Parents | do not apply |
Siblings | do not apply |
Place of birth | Adelaide, South Australia |
Nationality | Australian |
Nation | White skin-man |
Education | University of Adelaide, PhD from the University of Edinburgh |
Marital status | do not apply |
Sexual orientation | do not apply |
Wife/Wife/husband | do not apply |
Children | do not apply |
Dating | do not apply |
Net value | do not apply |
Origin of wealth | Musicology, Academy |
Year of operation | do not apply |
Category | do not apply |
Height | do not apply |
When comparing Michael Burden with some of the finest Oxford musicians, such as Johann Nepomuk Hummel and Timothy B. Schmit, it is necessary to consider their contributions to music and scholarship.
Although exact figures on Michael Burden’s net worth are not publicly available, his long career at prestigious institutions such as Oxford University and his significant contributions in editing and research His research certainly suggests financial success.
In contrast, Johann Nepomuk Hummel, a historical figure in classical music, and Timothy B. Schmit, a famous rock musician, represent different genres and eras, each with its own characteristics. Unique financial legacy.
Michael Burden, a prominent Australian musicologist, had a distinguished career in the United Kingdom, especially at Oxford University. His influence extended beyond academia, touching important areas of music and opera history.
Born in Adelaide, South Australia, Burden received his early education at Pulteney Grammar School, then the University of Adelaide. He continued his studies with a PhD at the University of Edinburgh, setting the stage for a solid academic career.
Michael Burden’s educational journey is rich and diverse. He serves as a Music Fellow, Dean and Chattels Fellow at New College, Oxford. His role went beyond administrative duties, including significant contributions to both teaching and research.
From 2015 to 2018, he chaired Oxford University’s music faculty, reflecting his leadership and dedication to promoting a strong academic environment.
As director of New Chamber Opera, Burden played an important role in promoting opera both within and beyond the university environment. This position allowed him to combine academic research with practical applications, bringing historic performances to contemporary audiences.
His work in opera was not limited to management but also involved active participation in staging and directing performances.
Michael Burden’s research interests are deeply rooted in the history of theatrical music, especially exploring the works of Henry Purcell and broader aspects of dance and theater from the 17th to the 19th centuries. 19.
His scholarly output includes a comprehensive catalog of Metastasio’s operas performed in London and several critical editions of important musical works. He is currently writing a book detailing the production of opera in London from 1660 to 1860, a project that emphasizes his expertise in the field of opera studies.
Michael Burden’s scholarly output includes significant contributions to the publication of works by famous composers.
He edited and oversaw the production of collected music editions for composers such as Alessandro Stradella and John Eccles, ensuring that their works were accessible and presented correctly. for contemporary scholars and artists.
His own editorial projects include influential works such as:
In addition to music, Michael also has a deep passion for architectural history, especially that of his hometown, Adelaide. His book, Missing Adelaideembodies this passion, highlighting the city’s lost architectural heritage.
Throughout his career, Michael Burden has been recognized for his outstanding academic achievements and contributions to musicology. His election as a Corresponding Fellow of the Australian Academy of the Humanities in 2018 is testament to his standing within the academic community.
Additionally, his involvement with various associations and academic institutions further reflects his commitment to enriching the cultural and educational landscape.
There is no information yet about his upcoming projects in 2024.
His research focuses mainly on the history of the London theater from 1660 to 1860, especially in the areas of opera staging techniques and dance performance.
He is Professor of Opera Studies at the University of Oxford and a Research Fellow in Music at New College, Oxford.
He served as Dean of New College and held the titles of Chattels Fellow and Portrait Fellow.
That’s right, he was elected a Corresponding Fellow of the Australian Academy of the Humanities in 2018.
His works include London Opera Observed 1711–1844 and The Fairy-Queen, which is the first complete text and musical edition of Henry Purcell’s work.
Yes, he has an interest in architectural history, especially the history of architecture and town planning in Adelaide, South Australia. His first book, Lost Adelaide, explored the city’s demolished buildings.
He serves on several editorial boards, including the Journal of Eighteenth Century Studies and has edited many scholarly works on music and dance.
He produced versions of several baroque operas and staged newly restored works, such as Francesco Cavalli’s Erismena.
He served as a judge for the Duff Cooper Literary Award from 2003 to 2008, which awards honors in history, biography, politics, and poetry.
Yes, he served on the Council of the Royal Society of Music and was a trustee of the Répertoire International des Sources Musicales (RISM).
He researched and published widely on opera and dance staging in London during the seventeenth, eighteenth and nineteenth centuries.
As we’ve seen, Michael Burden’s journey in the music industry has not only included chart-topping hits but also important financial milestones. Da Nang Polytechnic.com brings you exclusive insights into how his wealth has grown over the years.
Stay tuned for more updates and detailed analysis of your favorite musicians and their inspiring success stories.
Categories: Musician
Source: dut.edu.vn
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