Discovering Carl Kiefert’s net worth is more than just revealing a number; it’s about understanding the journey behind the drawing. From the beginning of his career to his current financial situation, we’ll dive into what makes Kiefert’s financial story so compelling.
Join us as we explore the highs, lows, and lessons learned along the way.
TRUTH | DETAIL |
---|---|
Real name | Carl Johann Kiefert |
Popular name | Carl Kiefert |
Sex | male |
Date of birth | 1855 – November 26, 1937 |
Year old | 82 (at the time of death) |
Parents | Father: Master of music in the German army |
Siblings | do not apply |
Place of birth | Germany |
Nationality | German-British |
Nation | Germany-France |
Education | Universities Cologne and Göttingen |
Marital status | Married |
Sexual orientation | Straight |
Wife/Wife/husband | Priscilla Leach |
Children | Daughter: Emily |
Dating | do not apply |
Net value | do not apply |
Origin of wealth | Conducting, composing, and arranging music |
Year of operation | do not apply |
Category | do not apply |
Height | do not apply |
Delving into the finances of Britain’s leading artists, Carl Kiefert’s net worth remains a subject of interest, albeit a challenging one due to the historical period in which he lived. Kiefert, a talented conductor and composer, was mainly active in the late 19th and early 20th centuries, significantly influencing the London theater scene.
Compared to contemporaries like Albert Ketèlbey and Aram Khachaturian, we see distinct career paths and financial trajectories. Ketèlbey, known for his gentle instrumental music, achieved considerable wealth through his compositions, which often painted an auditory picture of exotic locations.
Meanwhile, Khachaturian thrived under the Soviet regime, achieving fame with works such as Saber Dance. Their net worth reflects their widespread appeal and enduring legacy.
Kiefert’s finances, although not well documented, were likely substantial, given his role as musical director for several popular productions and his collaborations with notable figures. like Lionel Monckton.
However, the lack of accurate data makes direct comparisons with Ketèlbey and Khachaturian difficult.
Carl Kiefert’s journey began in Germany, where he was born to a German father and a French mother. His father’s role as music master in the 19th Field Artillery Regiment certainly influenced Carl’s musical upbringing.
He honed his talent at the Universities of Cologne and Göttingen, setting the stage for a remarkable career.
At the age of 22, Kiefert’s musical adventure took an important turn. He came to England as a cellist with the Meiningen Orchestra, appearing on the stage of the Theater Royal, Drury Lane. This marked the beginning of his long association with London’s vibrant theater scene.
Kiefert soon found his calling as a conductor, spending most of his career at the famous London Hippodrome.
His role as musical director for works such as His Excellency (1894), An Artist’s Model (1895), Florodora (1899) and The Quaker Girl (1910), not only demonstrated his diverse talents but also emphasizing his impact on musical theater.
In addition to conducting, Kiefert also excelled in composing and arranging. He contributed to several West End musicals, notably Lionel Monckton’s, and later Broadway plays such as Honeydew (1920) and The Chiffon Girl (1924).
His speed and expertise in instrumentation made him a coveted figure in the industry.
Carl Kiefert, who was of German-English heritage, found love with Priscilla Leach, with whom he had a daughter, Emily. His final years took him to New York, although he eventually returned to the UK.
His death in 1937 in Barnham, Sussex, marked the end of an era but left an indelible mark on the history of musical theatre.
There is no information about his news in 2024 because he died in 1937
He was a British-German conductor and composer, known for his significant contributions to musical theater in London and Broadway in the late 19th and early 20th centuries.
Kiefert was musical director for several original London productions, including His Excellency (1894), An Artist’s Model (1895), Florodora (1899) and The Quaker Girl (1910). He also wrote or co-wrote music for musicals such as The Ballet Girl (1897) and The Gay Grisette (1898).
Yes, he worked on Broadway, arranging music for shows like Honeydew (1920) and The Chiffon Girl (1924).
Kiefert was born in Germany and studied at the Universities of Cologne and Göttingen. He began his career in England at the age of 22 as a cellist with the Meiningen Orchestra.
Kiefert is primarily known for his arrangements of stage music and he is highly regarded for his expertise and speed in playing the instrument. He frequently worked with composers such as Lionel Monckton and Osmond Carr.
That’s right, in addition to his work in musical theater, Kiefert also composed a number of works, including Pastoral, Withered Flowers and Valse caprice.
Kiefert’s influence in musical theater is marked by his musical directing and staging, especially in London’s West End. His work contributed significantly to the success of many musical theater works of his time.
He died in 1937.
Kiefert’s musical style is typical of early 20th century musical theater, emphasizing romantic and humorous elements, as reflected in his orchestration and composition.
Although not widely known today, some of Kiefert’s compositions and harmonies are still performed, especially those included in the popular musical theater works of his time.
With Da Nang Polytechnic.com, we took a closer look at Carl Kiefert’s net worth and the fascinating story behind his financial achievements. From strategic moves to relentless determination, Kiefert’s journey is a testament to his resilience and smart financial planning. Stay with us for more insights and stories that inspire and inform.
Categories: Musician
Source: dut.edu.vn
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